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dc.contributor.advisorEgozy, Eran
dc.contributor.authorParthasarathi, Sruthi
dc.date.accessioned2026-01-29T15:06:27Z
dc.date.available2026-01-29T15:06:27Z
dc.date.issued2025-09
dc.date.submitted2025-09-15T14:56:23.350Z
dc.identifier.urihttps://hdl.handle.net/1721.1/164659
dc.description.abstractIn recent years, a wide range of computational techniques have been developed to extract information from recorded performances of Western music. However, these methods often achieve limited success when applied to non-Western musical traditions. Carnatic music, in particular, poses unique challenges due to the absence of a standardized notation system and the lack of a consistent mapping between frequency bands and note categories. This project introduces a dynamic programming–based transcription framework, incorporating novel methods for label estimation, contour segmentation, and related subtasks, and establishes the foundations for end-to-end automatic transcription of this art form.
dc.publisherMassachusetts Institute of Technology
dc.rightsIn Copyright - Educational Use Permitted
dc.rightsCopyright retained by author(s)
dc.rights.urihttps://rightsstatements.org/page/InC-EDU/1.0/
dc.titleALPACA: An Algorithmic Pipeline for Automated Contour Annotation of Carnatic Music: A Dynamic Programming Framework for Pitch Segmentation and Note Transcription
dc.typeThesis
dc.description.degreeM.Eng.
dc.contributor.departmentMassachusetts Institute of Technology. Department of Electrical Engineering and Computer Science
mit.thesis.degreeMaster
thesis.degree.nameMaster of Engineering in Electrical Engineering and Computer Science


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